Color Theory in the Painting Process

My style of painting in 2020 evolved from using pre-mixed palette to using a more printer-like effect of layering primary colors (red, yellow, blue hues). I start with a blue for the shades and shape definition, adding then the lightest highlights with a yellow hue, and then finish with the mid-tone of (most-likely a watery) red.

I'm often torn at the beginning of each color application as I am drawn to monochrome paintings and the levels of tones and shades that can be achieved. I find monochrome calming and thoughtful.

​But then taking the same painting and adding a red and yellow hue overtop, look at the depth and excitement that happen! This has more energy and thought rapidity.

Do you have a preference?

View Final Painting

First step in color application.

Finished painting with the red and yellow hues overlaid on the English landscape.