A sunrise and sunset landscape duo will be entered into the Peterborough City Gallery exhibition. I love watching the watercolor washes interact. New colors emerge and shapes are defined by saturation and transparency. One more painting to make for the exhibition and then will be submitting the last week of October. Exciting!!
In addition to my paintings and collections, my watercolors can be found on fabrics, where you can make what you'd like, or homewares, decor, and wallpaper. I'll be updating this shop frequently and will release new patterns within The Collector community.
Collectors will have the chance to browse the Just Beyond collection in a beautiful and modern virtual exhibition space. By using a computer mouse or keyboard arrows, one can "walk" through the space and view the artwork on the walls.
I'll be reshooting my artwork this weekend (morning light has beens superb lately) and get my art into the virtual gallery in time for the Collectors-only pre-launch on September 4th. I'm considering one wing for the framed originals and one wing for giclée prints.
If you build an exhibition, send me the link as I never turn down a gallery visit.
"Bourgeois uses the spider, both predator (a sinister threat) and protector (an industrious repairer), to symbolise the mother figure."
I first learned of Louise Bourgeois in the National Gallery of Art Sculpture Gardens in Washington, DC. This was in our pre-kids era and we used to go for jazz and sangria on hot summer nights, dipping our toes in the pond. Wandering through the gardens, my intense fear of spiders kept me from one of the most fascinating interpretations of the "mother". It wasn't until I visited the Bilbao Guggenheim that I really felt a connection with these sculptures (still couldn't touch them though) and the artist Louise Bourgeois.
Quietly exploring her exhibition space along, my husbands rocking our sleeping one year-old, I realized some of my negative feelings and experiences toward "Hollywood" motherhood were being validated in an unexpected and pleasing way. Even now, thinking back, I'm not sure I can put the experience into words; I just remember the experience being quiet and loud, and eerie and comforting, simultaneously. To say the very least, it was unforgettable.
However, all that being said, I have been looking back in my archives and found this screen print from my days at university. Created with canary paper and conté crayon, the piece displays a struggle of two selves contained in one body. It seems internal struggles have always peaked my interest! I am thinking of taking this piece and using it as a baseline for my next fourth trimester series.
As always, would love your thoughts.
So I began to think, "Well, what can I change? Where do I start? What do I know? I know women. I know motherhood. I have felt the struggles. I'll start there." So by combining my fervor for the BIPOC community with that of women's struggles, the Beach Women collection was born.
Beach Women observes insightful women at a shoreline.
The veiled woman in uniform performs natural acts while considering her placement. She sits and learns; she ambles; she nourishes, she contemplates and evaluates; she holds steady against the elements. The protective shelter she has brought is sometimes necessary, sometimes unnecessary, and sometimes forgotten. So deep in thought, she eventually carries her baggage into the water, but she must go back to her place before moving deeper.
These women yearn for their depth to be understood by the forceful waves that create the stalls surrounding their life.
The monochromatic design of these pieces allow for feelings of happiness, hope, and honor to surface. The color progresses to blue as she progresses away from the shoreline. Only original watercolors will be released in this collection.